Stonehenge

 the other night we stumbled upon a NOVA episode exploring the logistics of constructing Stonehenge and how it connects to Durrington Walls up the River Avon. the heart of the portion we watched centered on one scholar’s theory about how the stones got to the famous site in the Salisbury Plain — placing the several-ton stones on platforms on tracks of milled timber with the equivalent of wood or stone ball bearings to allow the contraption to glide towards the destination. it was an interesting idea … for an age when modern milling and ball-bearings might be common, but I was inclined to agree with the criticism that it was perhaps a bit over-engineered for the Neolithic architects of Stonehenge. logs and lots of people with ropes seemed just as effective and perhaps more expeditious. but then, most of what we know about Stonehenge comes from educated guesses at best.

the earthwork enclosure that encompasses the site dates from about 3100 BCE while radiocarbon testing and other evidence suggest the stones were erected sometime between 3000 and 2000 BCE, with the bluestones (the smaller ones) perhaps going up towards the beginning of that period and the remaining sarsens (the larger ones) later on. Stonehenge was constructed in several phases over a some 1,500 years, replacing monuments that previously stood on the site.

one of the more impressive facts about the site is the distance the stones traveled. while the precise origin remains unknown, it seems the bluestones came from the Preseli Hills in southwest Wales more than 150 miles away from Stonehenge (another theory posits they were glacial erratics left much closer to the site by the Irish Sea Glacier). in 2011, researchers at the University of Wales announced they’d identified the exact source from which the earliest stones were taken — 140 miles away in Pembrokshire in Wales. the sarsen stones are made of a type of sandstone found throughout southwest England but most archaeologists believe these stones came from the Marlborough Downs about 30 miles distant. as I mentioned, the bluestones were erected first, likely in a double-circle, and show signs of human efforts to shape them to fit together in some fashion. the sarsens were worked at the site using handmade tools; the NOVA program included excavation of some of the tools and stone shards carved off the sarsens.

the first signs of inhabitants on the site, however — four or five pits (some which held pine posts) — were discovered in the site’s parking lot between the 1960s and 80s and date to sometime between 8500 and 7000 BCE (the Mesolithic era!). recently uncovered evidence suggests the site may have been used for burials from the beginning, with cremains found in and around pits along the bank and ditch; in the 64 identified burial sites archaeologists have found remains for as many as 150 individuals. the NOVA program also chronicled excavations along the banks of the River Avon by archaeologists, seeking to determine whether the avenue did, in fact, continue all the way to the river and thus, presumably, symbolically and physically connect Stonehenge with Durrington Walls up the river. based on the positioning of the two sites, the researchers proposed Durrington Walls as a “site of the living” (as it aligned with sunrise) while Stonehenge was a “site of the dead” (as it aligned with the sunset and was a site for burial).

beginning in the 1920s, the National Trust began purchasing land around Stonehenge to preserve the setting around the monument as early in the 20th century land nearby was increasingly turned to cultivation. since the 1980s, the National Trust has worked with local landowners to revert some of this previous farmland back to chalk grassland. the setting-preservation effort was undermined somewhat by the two roadways — the A344 and the A303. over the last several decades plans have repeatedly been advanced then shelved to close or reroute the two roads in order to return the atmosphere of the site to how it might have been millennia ago. in 2010, the Wiltshire Council approved plans for a new visitors center to replace the one built in the 1970s, but forward progress is currently held up by getting acquiescence to close the A344 and two other nearby roadways.

of course, the sheer volume of visitors will still affect how one experiences Stonehenge. at the turn of the 20th century, concern for visitor safety (coupled with the toppling of an outer sarsen and its lintel) prompted the then-owner to begin the process of re-erecting fallen stones and stabilising the bases of others. the site was donated to the nation in 1918 by Cecil Chubb (who’d purchased several years earlier in an auction) who became responsible for its upkeep and providing access. between 1938 and today, annual visitors to the site increased from 38,000 to over 900,000. in 1978, erosion of the earthworks due to the increased number of visitors and acts of vandalism to the stones resulted in access to the stones being restricted. today, visitors are only allowed to tour Stonehenge from roped-off paths that prevent too many people from accessing the stones at any given period.

even though access to the stones is restricted, it isn’t prohibited; it just requires some planning, forethought, and approval from the National Trust. my dad was one with such foresight and managed to coordinate an early-Sunday-morning visit for us when my parents came to visit me while I was studying in London. it’s a truly unique experience to get such remarkable access to a monument so impressive, so old, and so shrouded in mystery. the first time I visited England, we focused more time on Avebury and (if I recall correctly) just stopped along the road and looked through the fence at Stonehenge, rather than paying the entrance fee to walk around the roped-off path. it was worth the wait, though, to get to to stand so close the stones, to touch them and walk among them. if you’re ever in the vicinity, I highly recommend taking the time to visit and, if you’ve got some foresight, too, plan ahead for one of those outside-operating-hours access spots.

some final thoughts:
if you’re in Ireland, you should definitely make the effort to visit Brú na Bóinne (it’s on the itinerary for the next trip to Ireland this summer!) another remarkable Neolithic site.
check out the NOVA program, Secrets of Stonehenge, for more on all the projects I referenced above.
lastly, one of my favorite travel blogs, Twenty-Something Travel, posts “Friday Postcards” and the one from this week was, coincidentally, Stonehenge at sunrise!

back to the blustery moors

eight years ago this week I returned from spending a semester studying in London. yesterday, prompted by a request for some pictures of standing out on the blustery moor to match the one posing with the Monumento do Peregrino in Galicia, I pulled out the journals from my study-abroad experience and looked back through my photos to find something suitably windswept. in fact, I found a photo of the Nine Maidens standing circle, which I hadn’t found to associate with my last post on the area.

stone circles are scattered across Dartmoor, including the one we visited, and contains the largest collection of Bronze Age tools anywhere in Britain. at that time, the climate was much warmer and trees likely covered much of the moorland, which were cleared by inhabitants using fire in order to make way for farm fields. as the climate cooled and people fled, the acidic soil they left behind made preservation of stone foundations and tools comparatively successful, thus resulting in the plethora of prehistoric tools. when things warmed up again, people returned and used many of the same tactics to construct needed buildings as they had before; some built in this longhouse style remain in use today (with modifications) though many lay abandoned and ruined.

one of the distinct features of Dartmoor are its numerous tors — hills topped with rock outcroppings similar to but markedly less famous than the one in Glastonbury. in early May each year, the British Army arranges a  weekend hike known as the Ten Tors in which youth between the ages of 14 and 19 complete circuits of 35, 45, or 55 miles (depending on age) in teams of six. according to the organizers it’s not technically a race, but more of an endurance test of survival and outdoor skills; obviously that doesn’t stop teams from competing with one another for the best time though. since there are a variety of potential routes, however, you won’t necessarily know which other teams might keep pace with you. the first race took place in 1960 with about 200 people; now participation is capped at 2,400 youth from southwest England. two noteworthy things happened during the 2012 event — the first all-girls team completed the course in a school-record time; and a team on track to complete in sixteen hours diverted upon hearing the distress calls of another team and ensured their rescue before crossing the finish twenty minutes after the official close of the race, which would have barred them from receiving recognition of completion. naturally, the director of the event acknowledged them anyway.

having spent an comparatively mild fall afternoon out on the moor, and reading about the variable if not downright tempestuous weather, it’s amazing to consider anyone would want to undertake a weekend of trekking around the moor, braving whatever the elements seek to dump on you. in more than a few years the weather has necessitated evacuation of teams at some point during the competition or outright cancellation prior to starting out.

Avebury

pedestrian path along the henge

both my trips to Glastonbury included visit to Avebury, a neolithic henge formed of three concentric circles that enclose a village that dates from the early medieval period. the stone circle, constructed around 2600 BCE, is the largest stone circle in Europe and was part of a human-constructed prehistoric landscape that included other monuments such as the West Kennet Long Barrow (a neolithic barrow situated on on a chalk ridge) and Silbury Hill (a 40m high, human-made chalk hill) less than two miles from Avebury. as with the more famous neighbor Stonehenge, the purpose of the Avebury ring is unknown though largely speculated to be used for ceremonies or rituals with a religious basis; evidence suggests the site was in use for over a millennium.

there’s some evidence to suggest periodic habitation at the site by Mesolithic hunter-gatherer people, who may have even constructed their own ceremonial structure, predating the stones that stand today (Mesolithic = the Age which preceded the Neolithic). anthropological studies have found significant activity from the Neolithic period; the introduction of domesticated plants and animals allowed hunter-gatherers to settle down for farming and, by extension, engage in the construction of massive sacred sites, like those around Avebury, that stemmed in part from a shift in religious beliefs.

the stability of agrarian culture allowed for ongoing projects and Avebury was built in stages. the henge — a large circular bank with internal ditch — is 420 meters across and would have required a remarkable commitment of time and labor; other henges most comparable in size are only a quarter of the size of the one at Avebury. the outer stone circle, originally consisting of 98 sarcen standing stones weighing up to 40 tons and standing over 4 meters, was likely built concurrent to the henge (or within a couple hundred years). within the outer stone circle (diameter of about 331 meters) are two additional, separate stone circles (diameters of 98 and 108 meters). an avenue of parallel stones run from one entrance of the henge and evidence exists of another avenue emanating from another entrance.

two of the standing stones

by the Iron Age, earlier users or inhabitants of the area abandoned the site and it remained largely abandoned. there’s some evidence that people visited or used the site during the period of Roman rule and later native Briton warriors may have fortified the site to use for defensive purposes. there was intermittent habitation thereafter throughout the medieval period, with farmers constructing huts outside the stone circle and, in the 10th century, a church to serve the newly-converted Christians.

the coming of Christianity didn’t bode well for the perceived-pagan roots of the Avebury stone circle; during the 14th century villagers began pulling down the stones and burying them in prepared pits, believing the Devil had erected them for evil purposes. one of the stones, weighing some 13 tons, fell on a man during the toppling process, fracturing his pelvis and breaking his neck; he remained buried in the specially-dug hole under the stone until archaeologists excavated the hole in 1938. he had coins dating from 1320-35 in a leather pouch at his waist. the death of this man prompted the villagers to cease their toppling project, perhaps fearful that a vengeful spirit or the Devil sought revenge for destroying the site. shortly thereafter, the Black Plague struck and decimated the town’s population, further preventing any further destruction (desecration?).

the first modern mention of Avebury came from Henry VIII’s chaplain in 1451 but it wasn’t until a man called John Aubrey took interest and described it to the king that investigation took off. although Charles II told Aubrey to dig under the stones in search of burial sites, Aubrey focused his attentions on a systematic study of the site, producing a diagram that proved invaluable when villagers, heedless of the lessons of their 14th century forebears and whipped into a puritanical frenzy, smashed up many of the remaining stones for use in building materials. in the middle of the 19th century, in an effort to stem the destruction of Avebury and prevent the erection of more houses within the henge, Sir John Lubbock (later known as Lord Avebury) purchased much of the available land and encouraged others to build outside the henge.

sheep grazing within the henge

throughout the 20th century, efforts were made to excavate, preserve, and restore the site with some previously-buried stones unearthed and re-erected. archaeologist Alexander Keiller proved instrumental in preserving artifacts, establishing a museum at the site in the 1930s, and bringing attention to the site. hundreds of thousands of people visit the site today, which is now under the stewardship of the National Trust, including contemporary pagan groups. the site is so popular for rituals among pagan groups, in fact, that they’ve had to establish a system to share access.

and I didn’t know any of that either of the times I visited. I had a vague notion of the scope of history and similarities to Stonehenge, but none of the specifics. I didn’t even have a very good grasp on the more impressive spiritual associations — just knew that I was impressed and it was worth the trip. we cracked jokes about the black sheep following others around, made up stories about animal-like shapes in the standing stones (one of them was a bear … the other, maybe a ram?). but reading up on it and learning about all the twists the last 4000 years have brought the site makes me even more excited to visit it again sometime in the future, perhaps as part of a tour of all the sites now under the heading of “Stonehenge, Avebury, and Associated Sites.”

Dartmoor

Dartmoor was one of the most stunning places I visited while studying in London. after weeks of day-to-day metropolitan bustle, the absolute isolation of the moor was both wonderful and somewhat off-putting. it was one of our last stops before returning to London after several days of traipsing around the relatively quite countryside. southwest England in mid-to-late October isn’t high tourist season.

it took some effort to find our B&B in the dark — through the tiny village of Belstone and up a farm track — but it was worth it. my dad & I watched some Green Wing in the common room before we went up to bed and my mom had a precious encounter with one of the young children of the house who was eating “crisps” (my mom referred to them as “chips,” to which the 3-or-4-year-old replied “they’re not chips! they’re crisps!“). I always imagine Godric’s Hollow to look exactly like Belstone as it did when we stopped in at the pub to ask for directions.

the town is best known for its proximity to the Nine Maidens stone circle, which I’m sure I have a picture of somewhere though, honestly, it didn’t make as much of an impression on me as the other sites we saw walking around the moor or in comparison to the sites at Avebury and Stonehenge. in addition to the Nine Maidens, the area we walked was open grazing land for local sheep and had a variety of stone structures and walls, one of which I have marked as the “Irish Wall,” though now I couldn’t tell you why — whether it was built by Irish invaders to defend their holdings, by indigenous Britons to keep the Irish at bay, or for some other purpose.

Dartmoor has been farmed and inhabited since prehistoric times (and its possible that the characters in Bernard Cornwall’s Arthurian series traverse the moor …). the Domesday Book has record of a castle at Okehampton in 1086 and the first record of tin extraction comes from 70 years later. abandoned tin mines and farmsteads remain scattered across the moorland. today the land is a National Park though over half of it remains under private control (much of it consisting of the Forest of Dartmoor of which is owned by the Duke of Cornwall — aka Prince Charles).

recently, controversy has sprung up around mining and military training. several companies wish to mine the area for china clay but organizations seeking to preserve the environmental integrity of the moor have successfully lobbied the government to prevent projects from going forward. military use of the moor dates back to the Napoleonic War and continues to modern times; the Ministry of Defense uses as much as 11% of the northern expanse of the National Park for live-fire maneuvers. it served as partial setting in a recent episode of (Moffat’s) Sherlock. a military installation at Okehampton also served as an airbase during the Second World War.

Dartmoor is great for trekking and adventuring — that’s partly what brought us to the southwest of England (the Nine Maidens stone circle probably played a bigger role). that trek was also my first introduction to letterbox hunting, which later helped develop geocaching. letterboxing sprung up in the 19th century and coincided with the increased popularity of hill walking on the moor. our B&B hosts explained the pursuit to us before we headed out on our morning trek: people hide watertight containers all over the moor that hold unique rubber stamps and a visitor’s log book. each time you find a letterbox (whether on purpose or by accident), you use the letterbox stamp in your own record book and leave the mark of your personal stamp in the visitor’s log book. geocaching is essentially the same but uses GPS coordinates rather than older map-finding clues like compass bearings and grid references. we didn’t find any letterboxes, though we didn’t look very hard. some can prove incredibly challenging to find — which is half the fun for ardent fans of the activity.

Brompton Cemetery

apparently the summers of volunteering under duress rubbed off on me and, while studying in London, I got out and involved on a few projects including one tidying up around monuments and beating back brush at the Brompton Cemetery. on this occasion, I managed to trick Becca into joining me though now I don’t recall how. the film “Finding Neverland,” some of which filmed in and around the cemetery (as well as in Hyde Park) though I don’t think it was released before we volunteered. perhaps I had a sense that some degree of celebrity might rub off on us or something. the novelty of celebrity was still fresh at the time; while I’d seen a few celebrities up to this point — both around London and elsewhere — I’d never faced the inconveniences that can accompany movie sets. in addition to “Finding Neverland,” Brompton Cemetery has featured in numerous films, most recently in the first of Guy Ritchie’s two “Sherlock” films.

begun in 1836 and consecrated by the Bishop of London in 1840, Brompton is one of the oldest garden cemeteries in London. over 35,000 monuments mark the final resting places of some 205,000 people buried over the course of more than a century. while the park covers some 39 acres of land once belonging to the Lord Kensington, the cemetery had to close to burials between 1952 and 1996 due to space constraints; it has since begun allowing burials once again, however.

following the economic and commercial shifts on the Continent that resulted from Napoleon’s defeat at Waterloo, the living population of London exploded in the early-mid 19th century — as did the dead population. the rapid increase in number of necessary burials necessitated more burial space. designed by Benjamin Baud, Brompton is one of seven cemeteries constructed around what was the outskirts of London in the mid-19th century in response to health hazards posed by the existing overburdened, overflowing, inner-city burial grounds. it’s central chapel was modeled on St. Peter’s Basilica and features impressive colonnades, catacombs, and private mausoleums. for whatever reason, the catacombs never attracted much interest and most of the spots remain unoccupied.

some interesting facts about the cemetery before wrapping up: Beatrix Potter took naming inspiration from headstones in the cemetery; several Native Americans were once buried in the cemetery following their unexpected and untimely deaths while touring in England (as part of Buffalo Bill’s Wild West Show). after researchers in the late twentieth century traced the families of two of the men (Chief Long Wolf and Paul Eagle Star, both Sioux), their remains were returned to tribal territory in the United States for reburial.

turns out I don’t have any photos of our afternoon of weeding, but here’s a video tour of Brompton Cemetery if you’re interested in seeing what it looks like.

Glastonbury Tor

in addition to London Olympics-induced nostalgia, I just started a Bernard Cornwall book about the Arthurian legend, The Winter King, which immediately took me back to visiting Glastonbury and the tor, as well as all of southwest England. the tor was even featured in the Opening Ceremony, as the 204 participating nations placed their flags on the side of a miniature tor. coupled with the Olympics highlighting all sorts of places in England, like the Newcastle United stadium hosting the USA v. NZL women’s soccer match, makes me very much want to re-visit England (*coughbeccacoughtaracough*).

I’ve been to Glastonbury Tor twice and, frankly, would go again if someone handed me a ticket to the UK. the first time I was sixteen and had just spent three weeks in France with some high school peers. whatever thoughts I have on the France experience (perhaps something on that one day; perhaps not), getting to see England and playing passenger to my mother as first-time-UK-driver were no inconsequential element of that trip. (“left!left!left!left!left!” “HEDGE!” and, really, do British hedgerows really need to be that close on all rural roadways? yeah, probably.) while I’m sure I have some images of Glastonbury Abbey somewhere (another future blog post?) I’ll focus on the tor here.

“Tor” is a local Celtic word signifying rock outcropping or hill, as exceptionally illustrated by the one in Glastonbury. archaeological excavations unearthed evidence of inhabitants dating from prehistory; there is evidence of a 5th century fort on the site and the current ruins of St Michael’s Church (the tower) date from the 13th century, which was restored in modern times. an earthquake felt as far away as London and Wales destroyed most of the church in 1275 and a replacement church (from the 1360s) survived until the Dissolution of the Monasteries (in 1539). the last abbot of the church (along with two of his monks) were hanged, drawn, and quartered on the Tor because he refused to swear allegiance to Henry VIII.

some speculate the Glastonbury Tor is part of a zodiac calendar with formations dug around ancient hedgerows and tracks (though much of the area proposed as said calendar was under water at the time of said calendar’s design). the tor straddles one of the most important ley lines in Britain, the St. Michael line that runs from St. Michael’s Mount in Cornwall up to Avebury; the St. Mary’s line also runs through the Tor, creating a “vortex of energy” where they cross. 

others believe it provides access to the Underworld or realm of the faeiries; some that represents the final location of the Holy Grail. allegedly, Joseph of Aramathia brought it here and buried it in a cave beneath the Tor, from which two springs formed (presumably including the Chalice Well that you can still visit at the foot of the Tor.) job done, he planted his staff and a thorn grew up (Bernard Cornwall took a rather speculative eye to this myth in Winter King). 

one of the more perplexing mysteries of the tor are it’s seven, roughly symmetrical, terraces. several theories seek to explain their utility — farming, grazing, defensive ramparts, or (my favorite) a labyrinth. labyrinths were around during the Neolithic period while the tor was occupied and one can transpose the design of one such labyrinth onto the remaining ramparts but, even if that theory proves true, it seems likely its been used in other ways (e.g. farming, cattle grazing, defense) in the intervening centuries.

as Bernard Cornwall’s story reinforced for me, Glastonbury is closely linked with the Arthurian legend. the Tor was alternately known aYnys Wydryn (Isle of Glass because at the time the plain surrounding the tor flooded and made it an island) and also Ynys yr Afalon (Isle of Avalon). in 1184 a fire destroyed much of a nearby church and during the rebuilding of the church, a “double oak” coffin with an inscription identifying Arthur was found and preserved. under the supervision of Edward I the remains were re-interred and preserved (at least until the Dissolution of the Monasteries).

whatever it was in past, it remains a truly remarkable awe-inspiring site to rival Stonehenge — and without the restrictions on access you’ll find at the site 45 miles to the east. the views (on a clear day) from the top are incredible — if your eyes are particularly good, I think yo we didn’t go to the Abbey on my second visit, but if my next trip to England involves any sort of Arthurian myth-type exploring, I wager both the tor and the Abbey will go on the list.

Canterbury’s Norman Castle

first stop on this Great Britain tour is the Norman Castle in Canterbury; seeing the Cliffs of Dover in one of the top-of-the-hour teaser videos actually inspired me to write about my adventures.

my trip to Canterbury is probably the one that has come up most often in the intervening years — one of my early misadventures that resulted in an interesting anecdote. Becca and I set off on one of our days off with an eye to visiting the site where, as one of our high school history teachers regaled us, Sir Thomas Becket was gruesomely martyred by men loyal to Henry II. (whether Henry II called for the hit remains a matter of hotly contested historical debate.) 

the day started out well enough, catching a train from Waterloo station towards Dover, but got complicated in short order. we failed to change trains at a key juncture — who knew that garbled announcement we heard as the train paused in Ashford directed us to change to another line for Canterbury? and deduced our mistake as the white cliffs of Dover rolled past the train window. thankfully, the return train towards London (via Ashford) departed within a few minutes of our unintended arrival and we successfully found ourselves in Canterbury a relatively short while later.

after a short visit to the Cathedral (possibly about which more later) we headed for the more interesting — to me at least — site of the Norman Castle, constructed shortly after the pivotal Battle of Hastings in 1066. following his victory at Hastings, William the Conqueror (aka William I) headed towards London via this road from Dover; to defend the road three motte-and-bailey castles were constructed, one of which stood on the site in Canterbury we visited.

the ruins we saw are from the stone keep constructed during the rein of Henry I. made of flint and sandstone chips, it was one three royal castles in Kent at the time; part of the enclosure reused the city wall originally constructed by the Romans.. by the 14th century, larger castles in Dover overshadowed this castle and it became a jail; by the 17th century it had fallen into ruin. it’s now owned and run by local authority and open to the public year round, which is why we were able to wander in and take a look around in the middle of a not-quite-drizzly afternoon.

the return journey, while successful, also presented an unwanted adventure that I’m sure at least one of us could have done without. all in all, though, I enjoyed the day trip and getting to see a structure that has seen innumerable changes over centuries and centuries.

London 2012

and now a break from our current theme programming …

eight years ago, I was studying in England as London bid to host the 2012 Olympics. as a temporary local and twenty-one-year-old with only a vague understanding of what bidding for the Games entailed and could mean, few of the outwardly-visible self-promotion efforts the City made stuck with me. I remember there were special bid-themed seat covers on some of the Tube trains — that’s about it.

my elation that London won the bid was tempered by the 7/7 attacks and, to some extent, the latter took on greater prominence in my memory. the Olympic Games were a long way off (2012!? what kind of futuristic, mystical place is that?!) and 7/7 was more immediate. during the intervening years, the terrorist attack has faded and the excitement of the XXX Olympiad grew, in spite of the mishaps that threatened to overshadow any successes London might enjoy. missiles on residential buildings that will only work if it’s not cloudy? the ticketing debacle? poor London, it seemed, would never overcome the derision, gaffes and flubs.

yet somehow they did. for the most part. to some extent, I think the oddities of the Opening Ceremony were aided by the absurdity of how NBC edited the program for “American sensibilities”, but I believe Danny Boyle said something to the effect that because the Beijing Opening Ceremony was so spectacular, precise and over the top, it took some of the pressure of being supremely perfect off. he could focus more on developing a program that captured the British spirit.

I don’t remember much of anything about the Beijing Games; I’d just graduated from UCSD, was working crazy hours at two different jobs and searching for something full-time. I don’t know if I watched any of the Games, much less the Opening or Closing Ceremonies. maybe its the change in my circumstance that has me more engaged this time around, but it probably doesn’t hurt that I’m already plugged into a lot of British culture. one of my favorite podcasts is doing “micro-episodes” every day talking about the events one of the hosts is attending — events for sports that he has no particular interest in beyond the fact that they are a) sports, b) Olympic events, and c) happening in/around London (the first he went to was actually a soccer match held in Cardiff last week) I can’t imagine he’d trek across the globe and snatch up tickets to events anywhere else, but he’s so enthusiastic about all the elements associated with London 2012 that it’s infectious.

all this is to say that watching the Games have me thinking about my previous time in England, reminiscing and yearning to go back sooner rather than later. to assuage that itch, I’m going to do a few posts about my ’04 adventures — keep an eye out.

Albert Memorial Bridge

the Albert Memorial Bridge connects Battersea and Chelsea over the Thames and is pretty spectacular by night. it was designed and built in 1873, but the principals used in constructing the bridge proved it structurally unsound and, beginning in 1884, modifications were made over the course of three years to stabilise it. further reinforcements were introduced in 1973 (after a proposal to turn the entire bridge into a landscaped park with pedestrian access over the river failed), which makes the existing bridge a hybrid of three architectural styles.

the first bridge on the sight dates from 1771, when a wooden bridge connected industrial Chelsea with the rich farming village of Battersea. despite campaigns to demolish the bridge, even after the Victoria (now Chelsea) Bridge was completed downriver, the wooden bridge remained well into the 19th century, growing increasingly unstable, unpopular, and unsafe, while (not surprisingly) the Victoria Bridge became more congested. to rectify the congestion, Prince Albert recommended the construction of a toll bridge between the two existing bridges; predictably, the operators of the decrepit Battersea Bridge opposed the new bridge as it might diminish their custom (one wonders whether they recognized the connection between the derelict quality of their bridge and a decline in customers …), but a compromise (whereby the owners of the new Albert Bridge would purchase the Battersea Bridge upon completion of the former) authorization to begin construction on the new structure came in 1864. the man selected to design it, Rowland Mason Ordish, also designed the Royal Albert Hall, St. Pancras railway station, the Crystal Palace, and Holborn Viaduct. delays in completing the Chelsea Embankment blocked the project, however; in the intervening six years, Ordish designed the Franz Josef Bridge in Prague (said to be a model for the Albert Memorial), and the bridge owners were required to obtain another Act of Parliament before finally beginning construction in 1870. predicted to last about a year and come in under 70,000 GBP, naturally the project ran three times longer than expected and nearly three times more expensive.

in part because of the original agreement with the owners of the Battersea Bridge, the new Albert Bridge opened already deep in the hole and, consequently, never proved financially successful. the expense of paying off the rickety wooden bridge owners drained many of the resources intended for improving the traffic approach on either side of the new Albert Bridge, making it more difficult to access even as it struggled to compete with the Victoria Bridge, which remained more popular as it allowed for closer access to the center of London. after operating as a toll bridge for 7 years, the Metropolis Toll Bridges Act allowed the City to purchase both the Albert and Battersea Bridges for a paltry sum and remove the tolls. the tollbooths remain at either end of the bridge, however, and are the only ones remaining on bridges in London.

as with the Millennium Bridge (and probably any other pedestrian-use-heavy bridge) the Albert Bridge also has trouble with vibrations when large numbers of people cross at one time. these concerns prompted the placement of signs at the entrance warning troops from the Chelasea Barracks (actually closer to the Victoria/Chelsea Bridge, and which were vacated in 2006) to break step when crossing.

though it was painted uniform colors for the first century of use, in the late 20th century, a new pink, blue, and green color scheme was selected in an effort to make it more visible in foggy weather. additionally, some 4,000 lights were added to illuminate the structure, effectively turning it into a recognizable landmark of west London. along with the Tower Bridge, the Albert Bridge is the only Thames London bridge never to be replaced, and in 1975 was given protection as a “listed structure” (which prevents modification without “consultation). however, because of changing use patterns, increased weight of vehicles, and the fact that it wasn’t designed to carry automobiles in the volume it now sees, the bridge continues to deteriorate. in order to refurbish and strengthen the structure, the Bridge was closed in February of this year.

a decent entry on Wikipedia


View Larger Map

Millennium Bridge

oh, Millennium Bridge, you landmark that left a little blemish of embarrassment on London’s face (but not as big as the Millennium Dome, which might redeem itself with the Olympics …) when you had to be closed promptly after opening because of your swaying when people walked across you in unison.

the bridge opened on an “exceptionally fine day” in 2000, but was only open for two days before the wobble closed it for fully two years while modifications were made to correct the unsettling effect.

the “wobble” was caused by a “positive feedback” phenomenon, wherein the the natural sway of humans walking resulted in small oscillations in the bridge, then causing the people on the bridge to sway with the motion of the bridge, amplifying the effect. on the day the bridge opened, it was crossed by some 90,000 people (due in some part to the fact that it was included in the route for a Save the Children charity walk), with up to 2,000 walking across at a time. attempts were made to limit the number of people on the bridge at any one time, which resulted in long queues — one wonders if the architects would have suffered greater criticism if they’d left it open and maintained the limited access.

as with the Bean in Chicago, the design of the Millennium Bridge was selected through a design contest that was organized in 1996. concern for maintaining a clear view of the London skyline resulted in the bridge’s low profile. while the Tate Modern certainly isn’t anything dazzling to view from the north bank of the Thames, the way that St. Paul’s is framed from the south bank is quite spectacular. shame I didn’t get that shot. if I recall correctly, Becca and I were on our way to see “Romeo & Juliet” at the New Globe, which is also near the south foot of the bridge.